“Theater Latté Da believes it is the responsibility of the regional theater not only to speak to audiences today, but to contribute to the dramatic canon of tomorrow featuring the diverse voices of contemporary playwrights, composers, and lyricists.  Through NEXT initiatives, TLD invests in the future of the great American Musical by commissioning new works, providing year-round developmental opportunities, through world premiere productions, the annual NEXT Festival, and NEXT Generation commissions. Some of our most memorable and beloved productions developed by TLD including All is Calm: The Christmas Truce of 1914, A Christmas Carole Petersen, Five Points, and Twelve Angry Men. As a matter of fact, new works debuted on the mainstage for 13 of TLD’s 25 seasons.” 
-Peter Rothstein 

NEXT 25x25

NEXT 25 x 25 is our commitment to support the development of 25 new musicals or plays with music by 2025. This is an ambitious goal, but one TLD approaches with confidence.

We support the development of new musicals and plays with music in the following ways:

Commissions: Paying writers to create the work. TLD may initiate the conversation, or the creative team may initiate the conversation. 

Residencies: Bringing the creative team together. Residencies may take place locally or remotely, or in conjunction with a locally based workshop.

Workshops: Bringing together and compensating creative team members with actors, directors, music directors and sometimes audiences as part of the new work development process.

NEXT Festival: Our annual Festival provides a 2 week combined residency and workshop opportunity for  3 - 4 creative teams each summer.  Each project culminates in two public presentations.

We truly cannot achieve this ambitious goal without the help of our community. We believe passionately in the future of musical theater, and know that you do too.  Help us set the stage for the next generation of great musical theater writers and composers so that we might continue to capture the hearts and minds of audiences for generations to come.

Theater Latté Da gratefully acknowledges the support of past new works donors. Because of their generosity, theatermakers have been able to make impactful connections between story, music, artist, and audience on our stages and beyond.

NEXT 20/20 SUPPORTERS

Mary Alberts
Elissa Adams and Michael Margulies
Kent Allin and Tom Knabel
Anonymous
Jeffrey Bores and Michael Hawkins
Timothy Dordell and Kirk Ballard
Jean M. and Jim Becker
Carol and Kim Culp
Scott Cabalka
Shelli Chase and John Feldman
Jane and Ogden Confer
Fran and Barb Davis
Jay Harkness and Jean Storlie
Jean and Jim Hartman
Lisa and Dan Hoene
Jim and Sandi Jensen
Patricia Johnson and Kai Bjerkness
Nancy Jones
Cyndi and Greg Klaus
Carolee Lindsey and Darolyn Gray
Douglas* and Suzanne Tacheny Kubach
Jim and Kristin Matejcek
Jennifer Melin Miller and David Miller
Kim and David Motes
Rita and Ben Olk
Dr. Luis A. Pagan-Carlo and Joe Sammartino
Jim Payne
Shannon Pierce and Rachael Kroog
Michael and Kathleen Ruhland
Randy and Tara Roth
Gary Reetz
Christopher Rence
Jaime A. Roman and Jim Bernier
Peter Rothstein and Omar Guevara Soto
John Sullivan
Thomas Senn and Mark Manion
Kevin Winge and Kevin Shores
Lorri Steffen and Paul Zenner
Steven Thompson and Ron Frey
Libby and John Utter
Bill Venne and Douglas Kline
Margaret and Angus* Wurtele
Jay Waldera
David Young and Edward Williams, Jr.
Jane Zilch

*In Remembrance

For details on how you can participate in this ambitious initiative, please contact Hilary Smith at hilary@latteda.org.  

NEXT FESTIVAL

The NEXT Festival is Theater Latté Da’s New Work Festival showcasing three works that stretch the boundaries of musical storytelling. Held annually every summer during July and August, each show in the Festival receives public performances providing audience members the opportunity to get in on the ground floor of the creative process.

NEXT GENERATION COMMISSION

A $20,000 commission to support the creation and development of a new musical theatre project by a creative team that includes BIPOC artists and women artists.

Theater Latté Da’s NEXT Generation Commission is designed to support the early, generative stages of a new work—not one that is already in process. Teams may pitch a specific idea for a new musical or play with music as part of their application, but a pre-existing idea is not required. Creative teams will be selected based on evaluation of their extant bodies of work.  Creative teams must consist of at least 50% women artists or artists of color to be eligible.

In addition to $20,000 (to be shared among the creative team), each project will receive creative and developmental support over an 18-month period, including two developmental workshops totaling 50 hours.

NEW WORKS REALIZED

Christmas At The Local

Theater Latté Da staged the world premiere of this rollicking new celebration of the season, featuring the words of Dylan Thomas and Dr. Maya Angelou, with music by local singer-songwriter Chastity Brown, and Welsh artists Cerys Matthews and Mason Neely. The production featured Phinehas Bynum, Spencer Chandler, Joy Dolo, Bradley Greenwald, Jason Hansen, Elizabeth Reese, Matt Riehle, and Quinn Shadko

On a cold winter’s night, a group of locals gather to raise a glass and play a tune, calling forth the spirit of the holidays through story and song. Voices blend, memories are rekindled, and a bit of mystery hangs in the air.

Twelve Angry Men: A New Musical

Theater Latté Da was thrilled to produce the world premiere musical adaptation of Reginald Rose’s classic play with music and lyrics by Michael Holland and book by David Simpatico. The production featured Sasha Andreev, Curtis Bannister, Reese Britts, Charlie Clark, James Detmar, Bradley Greenwald, Brian Kim McCormick, Riley McNutt, T. Mychael Rambo, Matt Riehle, Wariboko Semenitari, and Adan Varela.

In a small New York City jury room, on "the hottest day of the year," twelve men debate the fate of a young defendant charged with murdering his father. In form, TWELVE ANGRY MEN: A NEW MUSICAL is a courtroom drama; in purpose, it's a crash course in those passages of the U.S. Constitution that promise defendants a fair trial and the presumption of innocence.

To Let Go And Fall

Harrison David Rivers’ (Five Points) world premiere play featured original music by Minneapolis-based Jelloslave cellists Jacqueline Ultan and Michelle Kinney. The production starred Mark Benninghofen, Austen Fisher, JuCoby Johnson, Tyler Michaels King, André Shoals, and Jon-Michael Reese and featured Conner Horak and Da’Rius Malone.

Todd and Arthur are two former ballet dancers who reunite at New York’s Lincoln Center Plaza having not seen each other for more than 25 years. This beautifully-told story takes us through the lives of both men, their choices, regrets, and coming to terms with age, illness and sexual identity.

Underneath the Lintel

Glen Berger’s renowned play was reimagined as a play-with-music by Theater Latté Da, with a brand new musical score composed by Frank London. Sally Wingert was joined by musicians Dan Chouinard and Natalie Nowytski to bring the new take on this play to life.

A Dutch librarian embarks on a quest to find out who anonymously returned a library book; a travel guide that is 113 years overdue. A clue scribbled in the margin of the book and an unclaimed dry-cleaning ticket then take her on a mysterious adventure that spans the globe and the ages. The librarian, who has never left her native town of Hoofddorp, grows determined to track down the offender. As she travels around the world on her obsessive search, she finds herself on a journey that not only unlocks ancient mysteries, but also moves her to new revelations about her place in the universe.

Five Points

Theater Latté Da's most ambitious musical world premiere to date brought together the talents of a dynamic creative team. The score is the work of Douglas Lyons and Ethan D. Pakchar, a New York-based songwriting team with significant Broadway credits. The book is written by the prolific Twin Cities-based playwright Harrison David Rivers.

New York City. 1863. Set amidst the tumult of the Civil War, Five Points chronicles the journeys of Willie Lane, a young African American performer at the famed Almack’s Dance Hall, and John Diamond, an Irish immigrant and former jig champion. Inspired by the confluence of African American and Irish cultures, and the birth of American tap dance, Five Points tells the story of two men who risk everything for the chance to be a part of the American Dream.

Five Points premiered in Latté Da's 20th anniversary season in March 2018.

C.

With book and lyrics written by Bradley Greenwald and music by Robert Elhai, this new musical adaptation of Edmond Rostand’s great play, Cyrano de Bergerac, reminds us of the power of language and gives new voice to one of its greatest champions.

Cyrano is a brash, strong-willed man of many talents. He’s a remarkable poet and a consummate musician who is deeply in love with the beautiful and intellectual Roxane. However, he is plagued with persisting self-doubt because of his extremely prominent proboscis.

C. debuted at the Ritz Theater in Northeast Minneapolis in March of 2016.

Lullaby

Lullaby is a new play with alternative rock music that’s powerful and absolutely beautiful. In addition to original music from Michael Elyanow, the production features the music of national recording artists Garrison Starr and Chris Dallman.

In hopes of learning to play lullabies for her infant son, a widowed young mother seeks guitar lessons from a once almost-famous rocker. As the two very different women bond over tricky chords and haunted pasts, a hilarious and moving story of friendship and forgiveness emerges.

Lullaby received its world premiere in 2016 at the Ritz Theater in Northeast Minneapolis.

Steerage Song

Created by Artistic Director Peter Rothstein along with musician and writer Dan Chouinard, this musical docudrama tells a story of the journey immigrants took from Europe to America through Ellis Island.

Rothstein and Chouinard spent over three years gathering immigrant songs from 30 different European countries then narrowed their selection to 40 songs. The production includes lyrics in 15 different languages, but the driving force is the universal language of music. Providing a context for the music are quotes taken from immigrant guidebooks, Ellis Island documents, immigration legislation, and articles about life in New York’s Lower East Side tenement district.

Steerage Song received its world premiere in 2011 at the Fitzgerald Theatre in partnership with Minnesota Public Radio. New partnerships are being formed to allow Steerage Song to live beyond its premiere.

Passage of Dreams

Theater Latté Da took musical theater to new heights—literally—combining intriguing stories, compelling music and the art of aerialism in this triptych of new musicals. The production was created in collaboration with New York-based team Katie Baldwin Eng, playwright, and Jeff Tang, composer.

The production was comprised of three short musicals, Passage of Dreams, Thirst and Bessie’s Birthday, all commissioned by Theater Latté Da and New York University’s Write/Act Festival. Passage of Dreams was developed at The Playwrights’ Center as part of PlayLabs in 2006, and had several workshops and readings in Minneapolis and New York. The Southern Theater run in 2009 marked the first time the works had been fully realized, demonstrating Theater Latté Da’s commitment to the development and production of new musical works. 

All Is Calm: The Christmas Truce of 1914

In developing All Is Calm, Artistic Director Peter Rothstein wanted to create a work for the theater where the content dictated the form. In 1914, radio was the primary communication tool, so Rothstein conceived All Is Calm as a radio-docudrama. All Is Calm tells the story of the Christmas Truce of 1914 in the words and songs of the people who lived it, with dialogue created primarily through found text from letters, official war documents, autobiographies, World War I poetry, grave stone inscriptions and even old radio broadcasts.

Because theater is an art form that asks audiences to engage their imagination to complete the story, Rothstein created a rich audio experience, and left the visual world up to the audience to imagine. The music was re-arranged for the production by Erick Lichte and Timothy C. Takach of the vocal ensemble Cantus.

In 2007, All Is Calm premiered at three Twin Cities churches in collaboration with Cantus. The world premiere was also broadcast live on Minnesota Public Radio and was heard worldwide through live streaming. The broadcast has since been aired each year locally, nationally and even internationally through American Public Media. In 2008, Cantus and Theater Latté Da teamed up with Hennepin Theatre Trust to present All Is Calm at the Pantages Theatre. All Is Calm has since become a holiday tradition being performed annually at the Pantages and on tour throughout the country during November and December. In 2018, All Is Calm made its Off-Broadway debut at the Sheen Center in New York City and went on to win a 2019 Drama Desk Award.

A Christmas Carole Petersen

In 2000, this holiday favorite received its world premiere at the Loring Playhouse in Minneapolis. Written by Tod Petersen and Peter Rothstein, A Christmas Carole Petersen is a lively musical that speaks to the power of the holidays to bring out the best and worst in all of us. Tod Petersen, acclaimed for his hilarious and moving performance, reflects on the Yule season with his family and in particular, the show’s namesake, his mother Carole. Elements of Christmas kitsch, nostalgia and music blend to remind us of the traditions and rituals that shape a family, as a Minnesota son struggles to rediscover the magic of the holidays.

A Christmas Carole Petersen was presented for seven seasons at the Loring Playhouse before moving to the Ordway Center’s McKnight Theatre in December of 2007 and 2008.